Where am I

2019

Acrylic and magazine collage on canvas

160×160cm

In this series, The artist attempts to further output the break that exist in the virtual model, visible and invisible, occurring and possible. According to the perspective painting method of architecture, it is re-arranged to form a multi-dimensional space. What Dingyi's consider more is the conflict between the scene and viewing Angle, the relationship between the painter and the scene and the beholder, as well as the presence and absence, disclosure and concealment in the picture.