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Dingyi Feng is an Artist, Designer, DJ, and lives in London and Beijing. 

Her practice centers on paintings and also includes videos, installations and experimental music. Her research mainly uses error and the dialectical rationality of error as a Fictioning* method. These errors are collected from the occasional phenomena of the computer age, such as distortion and glitching of images, misprinting, bugs in games, misunderstanding of information, etc.

 

She introduced this method into the revalue of Chinese historical painting, individual and collective memory, so as to redefine the relationship between reality and fiction, correct and error, and try to provide a framework for alternative and sustainable future within the visual system. Illustrating the agency of error can either imagine the point of view of the posthuman or reimagine these heterogeneous images from a posthumanist perspective.

 

Currently, through the context of post-modern Deleuzian theory and posthumanism methodology, she explores things beyond rationality and reality and expands the function of art practice, and a new perspective to explore the cultural patterns of postmodern narrative.

 

*Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist.  (by David Burrows and Simon O’Sullivan)

Academic History

2020-2021, Chelsea College of Arts, University of the Arts London, Major: Fine Art

2019-2020, Central Saint Martins College of Art and Design, Major: Fine Art 2D

2018-2019, Chelsea College of Arts, University of the Arts London, Short course: Soft Furnishings for Interior Designers

2015-2018, Fine Arts College, Jimei University, Major: Environmental Design

Working Experience

 

2021, Furniture of The World, Shenzhen, Xuyuhuanbian Gallery

2021, RGB.Chelsea MAFA Off-site Show, Beijing, Meilun Art Museum · Shengzhi Space

2021, No One And You, Qingdao,Selfstudio

2021, Six Sites, Chelseamafa Online

2021, Heterotopia: Ephemeral Realty, London, Mafa International Festival

2020, A Dialogue In Winter: Winter Action, Yanjiao, Biennial Art

2020, Late at Tate: Constructing Landscapes/Building Words, Tate Britain Online

2020, Healing Landscapes, London, Cookhouse Gallery

2020, "ACOUSMA" experimental  sound art, Beijing, No Space Gallery

2020, Nowshowing 2020:Post Mass Media, London, UALCSSA

2020, ARTRHINE “ZHAI” virtual exhibition, Beijing, Artrhine International Art Center

2019, "THE GREENROOM", London, Central Saint Martin

2019, "ARTIFICE, IMITATION, CAMOUFLAGE", London, Central Saint Martin

2018, "FACT OF ART" summer exhibition, Beijing, FA International Art Center

2017, "Yunnan Resident Series" report art Exhibition, Xiamen, Zhongshan Memorial Hall of Jimei University

2016, Wuyuan Tourism Bureau joint - "Ancient Village Series" works exhibition, Wuyuan Art Museum

 

Publishing Projects

 

2020,MAFAzine,  Issue-2

​2020,MAFAzine, Issue-1

 

Publications

2021, 'Artist of the Year 2020', Beijing, China Economy Daily Press

Media

2021,RGB Artist Interview,Meilun Art Museum Platform

2021,"Irrelevant" or "meaningful"? - RGB,Meilun Art Museum Platform 

2020, The New Wave, artist interview, KUART  

2020,“CONTINUITY & QHAKAZA” ,Independent curator interview 

2020, Covid-19 special, friendship interviews, Byeberryblue 

2020, Nowshowing, artist interview, UALCSSA 

2020,"ZHAI", artist interview, Artrhine Platform

2020, Special project, artist interview, Graduates Art Fair 

Residencies

2017Yunnan Residency,Yunnan,China

2016,Wuyuan Tourism Bureau joint - "Ancient Village Residency,Fujian,China

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